Critics Hate Kate on Broadway Too

Katie Holme’s official Broadway debut Thursday night in Arthur Miller’s “All My Sons” has made some critics impressed, but mostly because she was expected to fail miserably–especially after the first few days the only friend on their promotional myspace page was Tom–no, not even Tom Cruise.

USA TODAY: “At best, she exhibits a girlish exuberance that could serve her well in certain stage roles, provided she finds a director who can ease her obvious self-consciousness and get her to focus on the often-intricate process of character development.” But as her character’s “experience evolves and her emotions shift, Holmes’ tone doesn’t. Her initial poise begins to seem strained and her relentlessly energetic line readings strangely flat — even when she screams them out, as she does quite jarringly at one point.”

So it sounds like the lifespan on this show might run a little short due to the effect Scientology might have on her acting.  Except for those couple of Anonymous guys that have sworn to “Free Katie” from the clutches of that particular Evil, the same reason people are flocking to the show now just to see Katie go, are going to be the ones to run away in horror come next week.  But then again, “Batman Begins” carried on despite Katie’s same horrible acting…

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